English

Welcome to the English Department at Tommy Douglas Secondary School! Our department promises to deliver a rich and exciting program to students where the focus will be on developing speaking, listening, reading, writing, and media literacy skills. Students will have a chance to read a variety of written texts, analyze and create multiple contemporary forms of media, develop their voice as writers, and strengthen their ability to communicate orally.

Literacy Connections and Applications

  • Transferable Skills
  • Digital Media Literacy 
  • Applications, Connections and Contributions

The Literacy Connections and Applications unit focuses on students’ ability to identify and apply transferable skills across multiple learning contexts. Students develop communication, collaboration, problem-solving and critical thinking, entrepreneurship, global citizenship and sustainability, digital literacy, self-directed learning, and innovation and creativity. 

In the grade 9 course, the unit focuses on students gaining a deep understanding of the transferable skills and practicing and reflecting on how these skills improve their learning. 

Foundations of Language

  • Oral and Non-verbal Communication 
  • Language Foundations for Reading and Writing
  • Language Conventions for Reading and Writing 

The Foundations of Language unit is intended to teach students to understand and practice the foundational elements required for effective communication. We focus on teaching students to strengthen their listening and speaking skills for both formal and informal contexts. Students also continue to consolidate and refine their understanding of grammatical and morphological language structures. 

The grade 9 course focuses on providing real-world contexts and multiple opportunities for students to apply the foundations of language, while also ensuring that student voice and choice guide their access to the variety of texts available. 

Comprehension: Understanding and Responding to Texts 

  • Knowledge about Texts
  • Comprehension Strategies 
  • Critical Thinking in Literacy 

The Comprehension unit in the grade 9 course encourages students to approach texts through various entry points. They study each text through its form, topic, purpose, and audience. By considering the text elements and patterns that make up the text's composition, students hone their abilities to think critically about author intent, information dissemination, and reader response. 

In the grade 9 course, students view, read, and interact with a wide variety of texts in oral, written, graphic, media, and cultural forms. 

Composition: Expressing Ideas and Creating Texts

  • Developing Ideas and Organizing Content
  • Creating Texts
  • Publishing, Presenting and Reflecting 

The Composition unit in the grade 9 course asks students to communicate ideas for different purposes and audiences, honing their ability to write strategically using different styles and forms. Students focus on using the writing process to fully develop their ideas for writing, and then work on learning effective structures for persuasive and narrative writing. Students also create media texts that communicate a message and are supported in thinking critically about evaluating those messages for their impacts on viewers and the world. 

 

Developing Talking and Listening Skills

  • Active Listening Strategies
  • Using Talk to Think 
  • Class and Small Group Participation

    Students brainstorm and develop success criteria for active listening skills and effective speaking skills. Throughout the course, students have many opportunities to practice collaborative communication through whole-class discussions, group work, and teacher-student conferences. Students are expected to be active participants in the classroom and to contribute to a healthy, supportive, learning environment. 

Developing Reading and Viewing Skills

  • Before, During, and After Reading Strategies
  • Background Knowledge
  • Making Connections

    Students learn and apply before, during, and after reading and viewing strategies. Throughout the course, students have many opportunities to view and read a variety of texts for a variety of purposes. Students comprehend texts individually, in pairs, in small groups, and as a class. Students engage in active conversation about the texts and reflect on their improvement.

    Developing Writing Skills

  • Steps of the Writing Process
  • Creative Writing
  • Paragraph Writing

    Students focus on communicating ideas for different purposes and home their ability to write different text forms. They are asked to be more thoughtful of their use of different text features and how those features help them communicate their meaning better. Students focus on using the writing process to fully develop their ideas for writing.

COURSE DESCRIPTION

This course is designed to extend the range of oral communication, reading, writing, and media literacy skills that students need for success in their secondary school academic programs and in their daily lives. Students will analyze literary texts from contemporary and historical periods, interpret and evaluate informational and graphic texts, and create oral, written, and media texts in a variety of forms. An important focus will be on the selective use of strategies that contribute to effective communication. This course is intended to prepare students for the compulsory Grade 11 university or college preparation course.

Oral Communication

- Use before, during, and after listening strategies to understand rhetorical arguments
- Facilitate discussions and respond to others
- Present using verbal and non-verbal strategies for an audience and purpose, without visual cues, and with limited use of notes
- Evaluate how a speaker uses strategies to communicate a bias

Reading and Literature Studies

- Use Before, During, and After reading strategies to annotate with a focus on message (i.e. theme in literary texts)
- Identify rhetorical and other stylistic elements in a written text, and explain how they communicate the writer's perspective
- Evaluate how authors use rhetorical elements to support their purpose, audience, and topic

Writing

Organize the components of their thesis statement effectively for their answer to the critical question
- Write intentionally for purpose and audience
- Follow the guided steps of the writing process (Brainstorm, Organize, Rough Draft, Edit and Revise, Polish) with a focus on writing
rough drafts and editing for grammar
- Apply rhetorical devices in their formal and creative writing

Media Studies

Deconstruct the use of codes and conventions in media
- Explain how media uses techniques of bias to reinforce different perspectives
- Apply the 5 Core Concepts to media

Oral Communication


- Use before, during, and after listening strategies to understand a speaker's perspective
- Respond to the opinion of others in small and large group discussions
- Present using verbal and non-verbal strategies for an audience and purpose, without visual cues, and with
limited use of notes
- Evaluate how a speaker uses strategies to communicate a bias

 

Reading and Literature Studies


- Use Before, During, and After reading strategies to annotate with a focus on message (i.e. theme in literary
texts, purpose in an informational text)
- Identify text features of graphic texts, and explain how they communicate bias
- Evaluate how authors use rhetorical elements to support their purpose, audience, and topic

Writing


Students will develop the ability to...
- Follow the guided steps of the writing process (Brainstorm, Organize, Rough Draft, Edit and Revise, Polish)
with a focus on writing rough drafts and editing for grammar
- Organize the components of their thesis statement effectively for their answer to the critical question
- Write a news report and opinion essay

 

Media Studies


- Deconstruct the use of codes and conventions in media, specifically print advertising
- Explain how media communicates its bias
- Apply the 5 Core Concepts to news media
- Construct media using the rhetorical elements and codes and conventions of print advertising

 

Assessments May Include: 

  • Listening Charts - Rant Deconstruction
    Oral Presentation - Rant Construction 
    Small group discussions
    Emails - Technical Writing 
    Opinion Essay
    Reading Fluency
    Reflections
    Annotations and Reading Logs
    Media Deconstruction - Print Advertisements 
    Media Construction

Extending Listening and Talking Skills


Students will develop the ability to...
- understand and practice active listening in a variety of classroom interactions, and other specific purposes
- use talk to brainstorm ideas and understand ideas, and other specific purposes
- engage in daily conversations using appropriate vocabulary

Extending Reading and Viewing Skills


Students will develop the ability to...
- Use Before, During, and After viewing strategies to understand a variety of written and audio-visual texts
- demonstrate understanding of explicit and implicit details by using comprehension strategies select and read a variety of
appropriate and challenging material on topics of their interest

Extending Writing Skills


Students will develop the ability to...
- Organize the components of their writing effectively to suit purpose and audience
- Follow the guided steps of the writing process (Brainstorm, Organize, Rough Draft, Edit and Revise, Polish) with a focus on writing
rough drafts and editing for grammar
- Publish their work following the form and style of the text form.

Ongoing Learning:

Throughout the course, students will develop the ability to…

  • Use oral communication skills and strategies to understand and analyse oral texts, and to share their thinking and ideas with clarity for different purposes and audiences
  • Apply reading skills and strategies to understand and analyse increasingly challenging texts
  • Use writing skills and strategies to enhance communication for various purposes and audiences
  • Analyse and create media with a focus on critical media literacy

 

Exploring First Nations, Métis, and Inuit Perspectives, Themes,  and Text Forms in Canada

Students will develop the ability to…

  • Identify and explain First Nations, Métis, and Inuit identities, relationships, self-determination and sovereignty, and perspectives in texts
  • Analyse themes, ideas, and issues in various Indigenous text forms

Deconstructing First Nations, Métis, and Inuit Perspectives and Representations

Students will develop the ability to…

  • Identify and understand representations of First Nations, Métis, and Inuit cultures in various texts
  • Describe how historical periods, cultural backgrounds, and social and political conditions and events shape representations

Reconstructing Understanding Through Diverse Representations

Students will develop the ability to…

  • Demonstrate an understanding of the role contemporary and historical text forms created in Canada play in representing the diversity of First Nations, Métis, and Inuit lives, cultures, and world views
  • Assess the impact of efforts to challenge colonialist views and inaccurate representations on Canadian society

 

ORAL COMMUNICATION

  1. Listening to Understand: listen in order to understand and respond appropriately in a variety of situations for a variety of purposes; 

  2. Speaking to Communicate: use speaking skills and strategies appropriately to communicate with different audiences for a variety of purposes; 

  3. Reflecting on Skills and Strategies: reflect on and identify their strengths as listeners and speakers, areas for improvement, and the strategies they found most helpful in oral communication situations. 

READING AND LITERATURE STUDIES

  1. Reading for Meaning: read and demonstrate an understanding of a variety of literary, informational, and graphic texts, using a range of strategies to construct meaning; 

  2. Understanding Form and Style: recognize a variety of text forms, text features, and stylistic elements and demonstrate understanding of how they help communicate meaning; 

  3. Reading with Fluency: use knowledge of words and cueing systems to read fluently; 

  4. Reflecting on Skills and Strategies: reflect on and identify their strengths as readers, areas for improvement, and the strategies they found most helpful before, during, and after reading. 

WRITING

  1. Developing and Organizing Content: generate, gather, and organize ideas and information to write for an intended purpose and audience; 

  2. Using Knowledge of Form and Style: draft and revise their writing, using a variety of literary, informational, and graphic forms and stylistic  elements appropriate for the purpose and audience; 

  3. Applying Knowledge of Conventions: use editing, proofreading, and publishing skills and strategies, and knowledge of language conventions, to correct errors, refine expression, and present their work effectively; 

  4. Reflecting on Skills and Strategies: reflect on and identify their strengths as writers, areas for improvement, and the strategies they found most helpful at different stages in the writing process. 

MEDIA STUDIES

  1. Understanding Media Texts: demonstrate an understanding of a variety of media texts;


  2. Understanding Media Forms, Conventions, and Techniques: identify some media forms and explain how the conventions and techniques associated with them are used to create meaning; 

  3. Creating Media Texts: create a variety of media texts for different purposes and audiences, using appropriate forms, conventions, and techniques; 

  4. Reflecting on Skills and Strategies: reflect on and identify their strengths as media interpreters and creators, areas for improvement, and the strategies they found most helpful in understanding and creating media texts.

FIRST NATIONS, MÉTIS, AND INUIT PERSPECTIVES AND TEXT FORMS IN CANADA


1. Exploring: explore themes related to First Nations, Métis, and Inuit identities, relationships, and self-determination, sovereignty, or
self-governance, as reflected in text forms created in Canada, formulating questions and comparing perspectives to formulate a well-reasoned
exchange of ideas about these topics;
2. Deconstructing: demonstrate an understanding of how representations of First Nations, Métis, and Inuit individuals, communities, and cultures in
text forms created in Canada are influences by perspectives related to or shaped by historical period, cultural background, and social and political
conditions and events, including perspectives related to gender and the role of women;
3. Reconstructing: demonstrate an understanding of the role of contemporary and historical text forms created in Canada in representing the
diversity of First Nations, Métis, and Inuit lives, cultures, and world views, and assess the impact on Canadian society of efforts to challenge
colonialist views and incomplete or inaccurate representations.


ORAL COMMUNICATION


1. Listening to Understand: listen in order to understand and respond appropriately in a variety of situations for a variety of purposes;
2. Speaking to Communicate: use speaking skills and strategies appropriately to communicate with different audiences for a variety of purposes;
3. Reflecting on Skills and Strategies: reflect on and identify their strengths as listeners and speakers, areas for improvement, and the strategies
they found most helpful in oral communication situations.


READING AND LITERATURE STUDIES


1. Reading for Meaning: read and demonstrate an understanding of a variety of literary, informational, and graphic texts, using a range of strategies
to construct meaning;
2. Understanding Form and Style: recognize a variety of text forms, text features, and stylistic elements and demonstrate understanding of how
they help communicate meaning;
3. Reading with Fluency: use knowledge of words and cueing systems to read fluently;
4. Reflecting on Skills and Strategies: reflect on and identify their strengths as readers, areas for improvement, and the strategies they found
most helpful before, during, and after reading.


WRITING


1. Developing and Organizing Content: generate, gather, and organize ideas and information to write for an intended purpose and audience;
2. Using Knowledge of Form and Style: draft and revise their writing, using a variety of literary, informational, and graphic forms and stylistic
elements appropriate for the purpose and audience;
3. Applying Knowledge of Conventions: use editing, proofreading, and publishing skills and strategies, and knowledge of language conventions, to
correct errors, refine expression, and present their work effectively;
4. Reflecting on Skills and Strategies: reflect on and identify their strengths as writers, areas for improvement, and the strategies they found most
helpful at different stages in the writing process.


MEDIA STUDIES


1. Understanding Media Texts: demonstrate an understanding of a variety of media texts;
2. Understanding Media Forms, Conventions, and Techniques: identify some media forms and explain how the conventions and techniques
associated with them are used to create meaning;
3. Creating Media Texts: create a variety of media texts for different purposes and audiences, using appropriate forms, conventions, and
techniques;
4. Reflecting on Skills and Strategies: reflect on and identify their strengths as media interpreters and creators, areas for improvement, and the
strategies they found most helpful in understanding and creating media texts.

 

Oral Communication

Students will develop the ability to…

  • Present information effectively using only verbal strategies, without visual cues
  • Apply listening strategies to a text without visual supports
  • Use audio-visual tools as a support for the audience

 

Reading and Literature Studies

Students will develop the ability to…

  • Use Before, During, and After reading strategies to annotate with a focus on literary criticism and discussion. 
  • Use the 12 Steps of Annotations 
  • Apply literary criticism to evaluate perspectives towards literary texts 
  • Apply reading strategies to nonfiction informational texts 

 

Writing

Students will develop the ability to…

  • Apply the best method of development in their formal writing (climactic, reverse climactic, chronological, topical) for their purpose and audience
  • Create critical questions and develop an insightful “so what” in their thesis statements
  • Appropriately use voice, rhetorical devices, and tone to support a purpose and audience
  • Independently use the writing process for formal and creative written work (Brainstorm, Organize, Rough Draft, Edit and Revise, Polish) with a focus on peer, self-editing, and producing polished copies

 

Media Studies

Students will develop the ability to…

  • Deconstruct the codes and conventions of podcasts
  • Persuade and inform with media constructions 
  • Communicate using media for different purposes and audiences

Assessments May Include 

Text Annotations, Book Club Meetings, Oral Communication Observations, Reading with Fluency Observations, Paragraph Writing, Thesis Workshops, Seminars, Presentations, Long, Form Writing, Podcast Deconstruction, Podcast Construction, Emails & Technical Writing, Metacognitive Tracking + Conferences 

COURSE DESCRIPTION


This course emphasizes the consolidation of literacy, communication, and critical and creative thinking skills necessary for success in academic and daily life. Students will analyze a variety of graphic and informational texts, as well as literary texts from various countries and cultures, and create oral, written, and media texts in a variety of forms for practical and academic purposes. An important focus will be on using language with precision and clarity and developing greater control in writing. The course is intended to prepare students for college or the workplace.

Oral Communication
Students will develop the ability to...
✓ Listen in order to understand and respond appropriately in a variety of situations and for a variety of purposes
✓ Use speaking skills and strategies appropriately to communicate with different audiences for a variety of purposes
✓ Reflect on and identify their strengths as listeners and speakers, areas for improvement, and the strategies they found most helpful in oral communication situations

Reading and Literature Studies
Students will develop the ability to...
✓ Read and demonstrate and understanding of a variety of literary, informational, and graphic texts, using a range of strategies to construct meaning
✓ Recognize a variety of text forms, text features, and stylistic elements and demonstrate an understanding of how they help communicate meaning
✓ Use knowledge of words and cueing systems to read fluently
✓ Reflect on and identify their strengths as readers, areas for improvement, and the strategies they found most helpful before, during, and after reading

Writing
Students will develop the ability to...
✓ Generate, gather, and organize ideas and information to write for an intended purpose and audience
✓ Draft and revise their writing, using a variety of literary, informational, and graphic forms and stylistic elements appropriate for the purpose and audience
✓ Use editing, proofreading, and publishing skills and strategies, and knowledge of language conventions, to correct errors, refine expression, and present their work effectively
✓ Reflect on and identify their strengths as writers, areas for improvement, and the strategies they found most helpful at different stages in the writing process

Media Studies
Students will develop the ability to...
✓ Demonstrate an understanding of a variety of media texts
✓ Identify some media forms and explain how the conventions and techniques associated with them are used to create meaning
✓ Create a variety of media texts for different purposes and audiences, using appropriate forms, conventions, and techniques
✓ Reflect on and identify their strengths as media interpreters and creators, areas for improvement, and the strategies they found most helpful in understanding and creating media texts

COURSE DESCRIPTION

This course emphasizes knowledge and skills related to the craft of writing. Students will analyse models of effective writing; use a workshop approach to produce a range of works; identify and use techniques required for specialized forms of writing; and identify effective ways to improve the quality of their writing. They will also complete a major paper as part of a creative or analytical independent study project and investigate opportunities for publication and for writing careers

INVESTIGATING WRITING

  1. Writing, Writers, and the Writing Life: demonstrate an understanding of writing as an art, a craft, and a career as they explore the work of a variety of Canadian and international writers.

PRACTICING WRITING

  1. Exploring Ideas, Forms, and Styles: generate and experiment with ideas about writing content, forms, and styles;

  2. Drafting and Revising: organize, draft, and revise their writing, employing forms and stylistic elements appropriate for their purpose and audience; 

  3. Editing, Proofreading, and Publishing: use editing, proofreading, and publishing skills and strategies to refine and polish their work; 

  4. Collaborative Writing: collaborate in the writing process with peers by generating ideas, responding to peers’ work, and assessing peers’ work in a workshop setting.

REFLECTING ON WRITING

  1. Metacognition: identify their strengths as writers and areas where they could improve, and assess their growth and development


An ongoing theme throughout our Writer’s Craft Unit this year will be “the power and privilege of writing.” Below are the Units of Study for this course:

  • UNIT 1: THE WRITER IN ME - ongoing metacognitive reflections

  • UNIT 2: CHILDREN’S LITERATURE

  • UNIT 3: SHORT STORIES

  • UNIT 4: POETRY

  • UNIT 5: PLAYWRITING

Assessment of Learning May Include

The Art and Craft of Writing Seminar, Short Story Writing, Writing for a Purpose (writing for a contest, scholarship, bursary, supplemental application, etc), Writing Portfolio, Metacognitive Reflections, Screenwriting, The Writing Profession Research, Children’s Lit Text, Poetry Anthology, Critique of Texts, and daily writing prompts 

COURSE DESCRIPTION


This course emphasizes knowledge and skills that will enable students to understand media communication in the twenty-first century and to use media effectively and responsibly. Through analysing the forms and messages of a variety of media works and audience responses to them, and through creating their own media works, students will develop critical thinking skills, aesthetic and ethical judgment, and skills in viewing, representing, listening, speaking, reading, and writing.

Understanding and Interpreting Media Texts


1. Understanding and Responding to Media Texts: demonstrate understanding of a variety of media texts
2. Deconstructing Media Texts: deconstruct a variety of types of media texts, identifying the codes, conventions, and techniques used and explaining how they create meaning.
 

Media and Society


1. Understanding Media Perspectives: analyse and critique media representations of people, issues, values, and behaviours;
2. Understanding the Impact of Media on Society: analyse and evaluate the impact of media on society


The Media Industry


1. Industry and Audience: demonstrate an understanding of the ways in which the creators of media texts target and attract audiences;
2. Ownership and Control: demonstrate an understanding of the impact of regulation, ownership, and control on access, choice, and range of expression.


Producing and Reflecting on Media Texts


1. Producing Media Texts: create a variety of media texts for different audiences and purposes, using effective forms, codes, conventions, and techniques;
2. Careers in Media Production: demonstrate an understanding of roles and career options in a variety of media industries;
3. Metacognition: demonstrate an understanding of their growth as media consumers, media analysts, and media producers.


Unit 1: Media Literacy
● Explain the 5 Core Concepts of Media
● Identify and use the codes and conventions of common media forms (television, social media, print and visual advertising, movies, music)
● Influence of media on perception & Rise of Social Media
● Follow the guided steps of the creation process (brainstorming, organizing, revising, and proofreading)

Unit 2: Entertainment & Filmmaking
● Deconstruct technical and symbolic codes of visual media texts
● Evaluate narrative story telling/message
● Conventions of film making & Genres
● Video Creation

Unit 3: Representation, Bias & Disinformation
● Evaluate representation, bias and perspective in media text
● Impact of Media Ownership & Globalization of media industry
● Conventions of Advertising
● Values & Ideologies
● Fake News

 

Assessment of Learning May Include

     Products

  • Media Literacy Survival Kit
  • Infographic
  • Media Analysis Tasks
  • Media Construction
  • Oral Presentations
  • Camera Shots Task
     

    Observations

  • Practice Presentations
  • Small Group Activities
  • Text Annotations &
  • Deconstruction Tasks
  • In-class discussions


     Conversations

  • Student/Teacher Conferences

COURSE DESCRIPTION

This course is designed to help students acquire and demonstrate the cross-curricular literacy skills that are evaluated by the Ontario Secondary School Literacy Test (OSSLT). Students who complete the course successfully will meet the provincial literacy requirement for graduation. Students will read a variety of informational, narrative, and graphic texts and will produce a variety of forms of writing, including summaries, information paragraphs, opinion pieces, and news reports. Students will also maintain and manage a portfolio containing a record of their reading experiences and samples of their writing.

 

BUILDING READING SKILLS

  • Demonstrate the ability to read and respond to a variety of texts;
  • Demonstrate understanding of the organizational structure and features of a variety of informational, narrative, and graphic texts, including information paragraphs, opinion pieces, textbooks, newspaper reports and magazine stories, and short fiction;
  • Demonstrate understanding of the content and meaning of informational, narrative, and graphic texts that they have read using a variety of reading strategies;
  • Use a variety of strategies to understand unfamiliar and specialized words and expressions in informational, narrative, and graphic texts.

 

BUILDING WRITING SKILLS

  • Demonstrate the ability to use the writing process by generating and organizing ideas and producing first drafts, revised drafts, and final polished pieces to complete a variety of writing tasks;
  • Use knowledge of writing forms, and of the connections between form, audience, and purpose, to write summaries, information paragraphs, opinion pieces (i.e., series of paragraphs expressing an opinion), news reports, and personal reflections, incorporating graphic elements where necessary and appropriate.

 

UNDERSTANDING AND ASSESSING GROWTH IN LITERACY

  • Demonstrate understanding of the importance of communication skills in their everyday lives - at school, at work, and at home;
  • Demonstrate understanding of their own roles and responsibilities in the learning process;
  • Demonstrate understanding of the reading and writing processes and of the role of reading and writing in learning;
  • Demonstrate understanding of their own growth in literacy during the course.

Grade 9 Book Club: Student Voice and Choice

Pre-Critical Analysis:

Identity 

How do the literary elements construct a theme in the text? 

How does the text function as a window, mirror, or sliding glass door? 

How does the text teach us about identity?

Grade 9 teachers have carefully curated a diverse selection of novels for students to explore as part of our upcoming Book Club project. The collection includes contemporary fiction, fantasy, science fiction, historical fiction, graphic novels, drama, memoir, and other engaging texts that reflect a range of interests, experiences, cultures, and perspectives.

A central goal of the project is to provide student voice and choice. Rather than having every student read the same novel, students will have the opportunity to browse the selection, consider their own interests and reading preferences, and make an informed choice about the text they would like to explore. This autonomy encourages students to take greater ownership of their reading and to see themselves as active participants in the learning process.

Throughout the Book Club, students will have opportunities to share their thinking, respond to their peers, make connections, and engage in meaningful conversations about their chosen texts. By creating space for choice while providing thoughtful teacher guidance, we hope to foster a stronger sense of engagement, curiosity, and community around reading.

Our goal is not simply to have students complete a novel, but to help them discover a book that speaks to them, develop their identity as readers, and experience the value of sharing literature with others.

  • Darius the Great Is Not Okay, Adib Khorram, YA / Contemporary Fiction

  • Dear Martin, Nic Stone, YA / Contemporary Fiction

  • Don't Read the Comments, Eric Smith, YA / Contemporary Fiction

  • Facing the Sun, Janice Lynn Mather, YA / Coming-of-Age

  • He Who Dreams, Melanie Florence, YA / Contemporary / Indigenous Fiction

  • Holes, Louis Sachar, Middle Grade / Adventure / Mystery

  • It's Kind of a Funny Story, Ned Vizzini, YA / Contemporary Fiction

  • Jewel of the Thames, Angela Misri, YA / Historical Mystery

  • Legendborn, Tracy Deonn, YA / Fantasy

  • Life of Pi, Yann Martel, Literary Fiction / Adventure

  • Listen, Slowly, Thanhhà Lại, Middle Grade / Contemporary Fiction

  • Look Both Ways, Jason Reynolds, Middle Grade / Contemporary Fiction

  • Lord of the Flies, William Golding, Classic / Allegorical Fiction

  • Love from A to Z, S.K. Ali, YA / Contemporary Romance

  • Love, Hate, and Other Filters, Samira Ahmed, YA / Contemporary Romance

  • Lucky Break, Brooke Carter, YA / Sports / Contemporary Fiction

  • Needy Little Things, Channelle Desamours, YA / Supernatural Thriller

  • New Canadian Kid / Invisible Kid, Dennis Foon, Drama / Plays

  • Of Mice and Men, John Steinbeck, Classic / Literary Fiction

  • Overdrive, Eric Walters, YA / Contemporary / Crime Fiction

  • Patron Saints of Nothing, Randy Ribay, YA / Contemporary Fiction

  • Ready Player One, Ernest Cline, Science Fiction / Adventure

  • Romeo and Juliet (Graphic), William Shakespeare / Gareth Hinds, Graphic Novel / Tragedy

  • Romeo and Juliet (No Fear), William Shakespeare / SparkNotes, Drama / Tragedy

  • Say Her Name, Juno Dawson, YA / Horror / Paranormal Thriller

  • Shabanu, Suzanne Fisher Staples, YA / Historical / Realistic Fiction

  • Skins and Liars, Dennis Foon, Drama / Plays

  • Spinning, Tillie Walden, Graphic Novel / Memoir

  • Stargirl, Jerry Spinelli, YA / Contemporary Fiction

  • The Alchemist, Paulo Coelho, Philosophical Fiction / Allegory

  • The Book Thief, Markus Zusak, Historical Fiction / Literary Fiction

  • The Crossover, Kwame Alexander, Middle Grade / Sports / Verse Novel

  • The Five People You Meet in Heaven, Mitch Albom, Literary Fiction / Fantasy

  • The Giver, Lois Lowry, YA / Dystopian Fiction

  • The Golden Compass, Philip Pullman, Fantasy / Adventure

  • The Hate U Give, Angie Thomas, YA / Contemporary Fiction

  • The Lion, the Witch, and the Wardrobe, C.S. Lewis, Fantasy / Adventure

  • The Marrow Thieves, Cherie Dimaline, YA / Dystopian / Indigenous Fiction

  • The Martian Chronicles, Ray Bradbury, Science Fiction / Short Stories

  • The Rest of Us Just Live Here, Patrick Ness, YA / Contemporary / Fantasy

  • The Stars Beneath Our Feet, David Barclay Moore, Middle Grade / Contemporary Fiction

  • The Wrong Side of the Court, H.N. Khan, YA / Contemporary / Sports Fiction

  • Theories of Relativity, Barbara Gowdy, Literary Fiction / Contemporary Fiction

  • Tokyo Ever After, Emiko Jean, YA / Contemporary Romance

  • Wonder, R.J. Palacio, Middle Grade / Contemporary Fiction

  • Z for Zachariah, Robert C. O'Brien, YA / Post-Apocalyptic Science Fiction

This list of texts is always growing and changing according to the needs, strengths, and interests of our students.  If you have a book recommendation please share it with the classroom teacher!  

Beyond novels, students in any of our grade nine programs will read non-fiction, short stories, and graphic texts of all kinds.  

 

 


 

Grade 10 Book Club: Student Voice, Choice, and Critical Literacy

Grade 10 teachers have carefully curated a diverse selection of novels for students to explore through a Book Club project. The collection offers a range of genres, perspectives, cultures, and experiences, giving students meaningful opportunities to select a text that connects with their interests, identities, and curiosities. By incorporating student voice and choice, the Book Club encourages students to take ownership of their reading and become active participants in their learning.

As students engage with their chosen texts, they will explore the ways authors communicate ideas and influence audiences. In particular, students will examine persuasion through the concepts of logos, ethos, and pathos, while considering the topic, audience, and purpose of a text. Students will investigate how authors make deliberate choices about characterization, language, structure, imagery, perspective, and other text elements to shape meaning and influence readers.

The Book Club also provides a lens through which students can examine power and hierarchy. Students will consider how the elements of a text influence its audience and what literature can teach us about the ways power operates within individuals, relationships, communities, and societies. They will explore questions such as: Who holds power? Who is given a voice? Whose perspectives are represented or marginalized? How are systems of power reinforced or challenged?

Through discussion and analysis, students will also consider how texts challenge power and oppression. By encountering a range of perspectives and engaging thoughtfully with their peers, students will develop their ability to question assumptions, recognize different viewpoints, and make connections between literature and the world around them.

Ultimately, the Grade 10 Book Club is designed to bring together choice, critical thinking, and meaningful conversation. Students choose texts that interest them, but they are also encouraged to look beyond the surface of their chosen novels—to examine how texts persuade, whose voices they amplify, how power is constructed, and how stories can challenge the systems and assumptions that shape our world.

  • The 100-Year-Old Man Who Climbed Out of the Window and Disappeared, Jonas Jonasson, Contemporary Fiction / Comedy

  • 1984 (Graphic), George Orwell / Fido Nesti, Graphic Novel / Dystopian Fiction

  • A Thousand Splendid Suns, Khaled Hosseini, Historical Fiction / Literary Fiction

  • Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Sáenz, YA / Contemporary Romance

  • Before the Coffee Gets Cold, Toshikazu Kawaguchi, Magical Realism / Contemporary Fiction

  • Behind the Red Curtain, Mary Hogan, YA / Mystery / Thriller

  • Blood Like Magic, Liselle Sambury, YA / Fantasy

  • Bloodmarked, Tracy Deonn, YA / Fantasy

  • Born a Crime, Trevor Noah, Memoir / Biography

  • The Boy in the Striped Pyjamas, John Boyne, Historical Fiction

  • By Chance Alone, Max Eisen, Memoir / Holocaust Literature

  • Chlorine Sky, Mahogany L. Browne, YA / Contemporary Fiction / Verse Novel

  • Escape from Syria, Samya Kullab, Graphic Novel / Historical Fiction

  • Extremely Loud & Incredibly Close, Jonathan Safran Foer, Literary Fiction / Historical Fiction

  • Fahrenheit 451, Ray Bradbury, Science Fiction / Dystopian Fiction

  • Fish in a Tree, Lynda Mullaly Hunt, Middle Grade / Contemporary Fiction

  • Frankenstein (Graphic), Mary Shelley / Jason Cobley & Declan Shalvey, Graphic Novel / Gothic Horror

  • Getting Out Alive, Sarah Danielson, YA / Survival / Contemporary Fiction

  • Gloria Buenrostro Is Not My Girlfriend, Brandon Hoàng, YA / Contemporary Romance

  • Go Ask Alice, Anonymous, YA / Diary / Contemporary Fiction

  • Hakim's Odyssey, Fabien Toulmé, Graphic Novel / Memoir

  • The Joy Luck Club, Amy Tan, Literary Fiction / Historical Fiction

  • Kampung Boy, Lat, Graphic Novel / Memoir / Coming-of-Age

  • Kim's Convenience, Ins Choi, Drama / Comedy

  • The Lion, the Witch, and the Wardrobe, C.S. Lewis, Fantasy / Adventure

  • Long Way Down, Jason Reynolds, YA / Contemporary / Verse Novel

  • M Is for Monster, Talia Dutton, Graphic Novel / Horror / Science Fiction

  • Macbeth, William Shakespeare, Drama / Tragedy

  • Maus I, Art Spiegelman, Graphic Novel / Memoir / Holocaust Literature

  • Mis(h)adra, Iasmin Omar Ata, Graphic Novel / Memoir

  • Messenger: The Legend of Muhammad Ali, Marc Bernier, Graphic Novel / Biography / Sports

  • Monster, Walter Dean Myers, YA / Contemporary / Legal Drama

  • Muslim Girl: A Coming of Age, Amani Al-Khatahtbeh, Memoir / Coming-of-Age

  • My Heart Is at Ease, Perumal Murugan, Literary Fiction / Contemporary Fiction

  • New Kid, Jerry Craft, Graphic Novel / Middle Grade / Contemporary Fiction

  • Nimona, ND Stevenson, Graphic Novel / Fantasy / Comedy

  • Not Here to Be Liked, Michelle Quach, YA / Contemporary Romance

  • On the Come Up, Angie Thomas, YA / Contemporary Fiction / Music

  • Openly Straight, Bill Konigsberg, YA / Contemporary Fiction

  • Pashmina, Nidhi Chanani, Graphic Novel / Fantasy / Coming-of-Age

  • The Perks of Being a Wallflower, Stephen Chbosky, YA / Coming-of-Age

  • Piranesi, Susanna Clarke, Fantasy / Mystery

  • Rebound, Kwame Alexander, Middle Grade / Sports / Verse Novel

  • Room, Emma Donoghue, Literary Fiction / Psychological Drama

  • Saints and Misfits, S.K. Ali, YA / Contemporary Fiction

  • Sold, Patricia McCormick, YA / Historical Fiction / Social Issues

  • Still Alice, Lisa Genova, Literary Fiction / Contemporary Fiction

  • Stories of Your Life & Others, Ted Chiang, Science Fiction / Short Stories

  • Suddenly the Shadow Fell, Allan Stratton, YA / Mystery / Thriller

  • The Best We Could Do, Thi Bui, Graphic Memoir / Historical Fiction

  • The Catcher in the Rye, J.D. Salinger, Classic / Coming-of-Age Fiction

  • The Complete Persepolis, Marjane Satrapi, Graphic Memoir / Historical Fiction

  • The Diary of Anne Frank, Anne Frank, Diary / Memoir / Holocaust Literature

  • The Field Guide to the North American Teenager, Ben Philippe, YA / Contemporary Fiction / Comedy

  • The Five People You Meet in Heaven, Mitch Albom, Literary Fiction / Fantasy

  • The Girl You Left Behind, Jojo Moyes, Historical Fiction / Romance

  • The Glass Castle, Jeannette Walls, Memoir / Biography

  • The House on Mango Street, Sandra Cisneros, YA / Literary Fiction / Coming-of-Age

  • The Magic Fish, Trung Le Nguyen, Graphic Novel / Fantasy / Coming-of-Age

  • The Rumour Game, Thomas Taylor, YA / Mystery / Thriller

  • The Spill Zone, Scott Westerfeld & Alex Puvilland, Graphic Novel / Science Fiction / Horror

  • To Kill a Mockingbird, Harper Lee, Classic / Historical Fiction

  • Tuesdays with Morrie, Mitch Albom, Memoir / Inspirational

  • Twelfth Night, William Shakespeare, Drama / Comedy

This list of texts is always growing and changing according to the needs, strengths, and interests of our students.  If you have a book recommendation please share it with the classroom teacher!  

Beyond novels, students in any of our grade ten programs will read non-fiction, short stories, and graphic texts of all kinds.  

Grade 11 Book Club: Student Voice, Identity, and Power

Grade 11 teachers have carefully selected a diverse collection of Indigenous and Indigenous-related texts for students to explore through a Book Club project. Through student voice and choice, students will select a text that connects with their interests while engaging with a range of perspectives, experiences, and ways of knowing.

As students read and discuss their chosen texts, they will explore how tone influences our understanding of a text's content, perspective, and message. They will also examine identity and power, considering the relationship between personal and cultural identity, including concepts such as double consciousness and hybridity.

Students will investigate how texts reveal the politics of anti-colonialist resistance and how literature can challenge dominant narratives and systems of power. They will also consider how cultural difference shapes our perceptions, encouraging thoughtful discussion about perspective, identity, and representation.

Through reading, discussion, and reflection, students will use their chosen texts to deepen their understanding of tone, identity, culture, power, and resistance while developing their own critical perspectives.

  • #IdleNoMore and the Remaking of Canada, Ken Coates, Indigenous Studies / Non-Fiction

  • #NotYourPrincess, Lisa Charleyboy & Mary Beth Leatherdale (eds.), Indigenous Voices / Non-Fiction

  • 21 Things You May Not Know About the Indian Act, Bob Joseph, Indigenous Studies / Non-Fiction

  • A Girl Called Echo: Omnibus, Katherena Vermette, Graphic Novel / Historical Fiction

  • A History of My Brief Body, Billy-Ray Belcourt, Memoir / Essays

  • All Our Relations, Tanya Talaga, Indigenous Studies / Current Affairs

  • All the Way: My Life on Ice, Jordin Tootoo with Stephen Brunt, Memoir / Sports Biography

  • An Anthology of Indigenous Literatures in English: Voices from Canada, Daniel David Moses & Barry Callaghan (eds.), Indigenous Literature / Anthology

  • A Quality of Light, Richard Wagamese, Literary Fiction / Indigenous Fiction

  • Be a Good Ancestor, Leanne Betasamosake Simpson, Indigenous Literature / Poetry & Essays

  • Between the Pipes, Sports / Hockey

  • Birdie, Tracey Lindberg, Literary Fiction / Indigenous Fiction

  • Borders, Thomas King, Short Fiction / Indigenous Fiction

  • Buffalo Is the New Buffalo, Chelsea Vowel, Short Stories / Indigenous Fiction

  • Carving Space: The Indigenous Voices Awards Anthology, Jordan Abel, Carleigh Baker & Madeleine Reddon (eds.), Indigenous Literature / Anthology

  • Code Talker, Joseph Bruchac, YA / Historical Fiction 

  • Elapultiek (We Are Looking Towards), Shalan Joudry, Indigenous Literature / Fiction

  • Elatsoe, Darcie Little Badger, YA / Indigenous Fantasy

  • Empire of Wild, Cherie Dimaline, Indigenous Fiction / Fantasy / Thriller 

  • Fire Keeper's Daughter, Angeline Boulley, YA / Contemporary Mystery

  • Fire Song, Adam Garnet Jones, YA / Contemporary / Indigenous Fiction

  • Four Faces of the Moon, Amanda Strong & Bracken Hanuse Corlett, Animated Film / Indigenous History

  • Funeral for Dying Girls, Cherie Dimaline, YA / Indigenous Fiction

  • Go Show the World: A Celebration of Indigenous Heroes, Wab Kinew, Children's Literature / Biography

  • Green Grass, Running Water, Thomas King, Literary Fiction / Indigenous Satire

  • Hidden in Plain Sight, Cora J. Voyageur, David Newhouse & Dan Beavon (eds.), Indigenous Studies / Non-Fiction

  • How I Survived Four Nights on the Ice, Norma Dunning, Memoir / Indigenous History

  • Indian Horse, Richard Wagamese, Literary Fiction / Indigenous Fiction

  • "Indian" in the Cabinet: Speaking Truth to Power, Jody Wilson-Raybould, Memoir / Political Biography

  • Indigenous Nationhood: Empowering Grassroots Citizens, Pamela Palmater, Indigenous Studies / Politics & Non-Fiction 

  • Indigenous Peoples Atlas of Canada, Royal Canadian Geographical Society, Atlas / Indigenous Studies

  • Medicine Walk, Richard Wagamese, Literary Fiction / Indigenous Fiction

  • Midnight Sweatlodge, Waubgeshig Rice, Indigenous Literature / Short Stories

  • Monkey Beach, Eden Robinson, Literary Fiction / Indigenous Fiction

  • Moon of the Crusted Snow, Waubgeshig Rice, Indigenous Fiction / Dystopian Fiction

  • Motorcycles & Sweetgrass, Drew Hayden Taylor, Indigenous Fiction / Magical Realism

  • NDN Coping Mechanisms, Billy-Ray Belcourt, Poetry / Indigenous Literature

  • Nobody Cries at Bingo, Dawn Dumont, Indigenous Literature / Humour & Short Stories

  • Only Drunks and Children Tell the Truth, Drew Hayden Taylor, Drama / Indigenous Theatre

  • Rez Ball, Byron Graves, YA / Sports Fiction

  • Settler, Emma Battell Lowman & Adam J. Barker, Indigenous Studies / Social Justice 

  • Son of a Trickster, Eden Robinson, YA / Indigenous Speculative Fiction WWikipedia

  • Stories of Métis Women: Tales My Kookum Told Me, Bailey Oster & Marilyn Lizee (eds.), Memoir / Indigenous History

  • The Break, Katherena Vermette, Literary Fiction / Indigenous Fiction

  • The Gift Is in the Making, Leanne Betasamosake Simpson, Indigenous Stories / Traditional Knowledge

  • The Inconvenient Indian, Thomas King, Indigenous Studies / Non-Fiction

  • The Lesser Blessed, Richard Van Camp, YA / Coming-of-Age / Indigenous Fiction

  • The Outside Circle, Patti LaBoucane-Benson, Graphic Novel / Indigenous Fiction

  • The Power of Style: How Fashion and Beauty Are Being Used to Reclaim Cultures, Christian Allaire, Indigenous Studies / Fashion & Culture

  • The Reason You Walk, Wab Kinew, Memoir / Indigenous Non-Fiction

  • The Rez Doctor, Gitz Crazyboy, Indigenous Fiction

  • The Rez Sisters, Tomson Highway, Drama / Indigenous Theatre

  • The Summer of Bitter and Sweet, Jen Ferguson, YA / Contemporary / Indigenous Fiction

  • This Accident of Being Lost, Leanne Betasamosake Simpson, Indigenous Literature / Short Stories & Poetry

  • This House Is Not a Home, Katłı̨̀ą, Indigenous Fiction / Coming-of-Age 

  • This Place, various Indigenous authors, Graphic Novel / Indigenous History

  • Treaty Words, Aimée Craft, Indigenous Studies / Children's Non-Fiction

  • Walking in Two Worlds, Wab Kinew, Graphic Novel / Indigenous Fiction

  • We Are All Treaty People, Maurice Switzer, Indigenous Studies / Children's Non-Fiction

    This list of texts is always growing and changing according to the needs, strengths, and interests of our students.  If you have a book recommendation please share it with the classroom teacher!  

    Beyond novels, students in any of our grade eleven programs will read non-fiction, short stories, and graphic texts of all kinds.  

     

Grade 12 Book Club: Literary Theory and Critical Perspectives

Grade 12 teachers have carefully selected a diverse range of texts for students to explore through a Book Club project, providing opportunities for student voice and choice. Students will select a text that interests them and engage with it through multiple critical perspectives, considering how different lenses can shape our understanding of literature.

Through Literary Theory and Critical Theory, students will explore how perspective influences interpretation and consider questions such as: How does this text challenge or confirm my own beliefs? What does this text reveal about the systems that shape my own experience? Students will apply a range of critical lenses—including Feminist, Gender-Queer, Postcolonial, Critical Race, Psychoanalytical, Archetypal, and Marxist theory—to examine texts from multiple perspectives and develop increasingly complex, independent interpretations.

  • 1984, George Orwell, Classic / Dystopian Fiction

  • A Complicated Kindness, Miriam Toews, Literary Fiction / Coming-of-Age

  • Ace of Spades, Faridah Àbíké-Íyímídé, YA / Mystery / Thriller

  • All Boys Aren't Blue, George M. Johnson, Memoir / LGBTQ+ / Coming-of-Age

  • All My Rage, Sabaa Tahir, YA / Contemporary Fiction

  • April Raintree, Beatrice Culleton Mosionier, Historical Fiction / Indigenous Literature

  • As Long as the Lemon Trees Grow, Zoulfa Katouh, YA / Historical Fiction

  • Between the World and Me, Ta-Nehisi Coates, Memoir / Social Commentary

  • Bloodletting and Miraculous Cures, Vincent Lam, Literary Fiction / Short Stories

  • Brave New World, Aldous Huxley, Classic / Dystopian Fiction

  • Brother, David Chariandy, Literary Fiction / Coming-of-Age

  • Butterfly Yellow, Thanhhà Lại, YA / Historical Fiction

  • Children of Blood and Bone, Tomi Adeyemi, YA / Fantasy

  • Crosshairs, Catherine Hernandez, Literary Fiction / Dystopian Fiction

  • Dear Martin, Nic Stone, YA / Contemporary Fiction

  • Educated, Tara Westover, Memoir / Biography

  • Exit West, Mohsin Hamid, Literary Fiction / Magical Realism

  • Felix Ever After, Kacen Callender, YA / Contemporary Romance

  • Filterworld, Kyle Chayka, Non-Fiction / Technology & Culture

  • Forgiveness, Mark Sakamoto, Memoir / Historical Non-Fiction

  • Funny Boy, Shyam Selvadurai, Literary Fiction / Coming-of-Age

  • Gather, [author/edition needed], Contemporary Fiction

  • Girl, Interrupted, Susanna Kaysen, Memoir / Psychological

  • Half of a Yellow Sun, Chimamanda Ngozi Adichie, Historical Fiction / Literary Fiction

  • Hope's Reprise, [author/edition needed], Contemporary Fiction

  • It's Kind of a Funny Story, Ned Vizzini, YA / Contemporary Fiction

  • I've Been Meaning to Tell You, David Chariandy, Memoir / Essays

  • In the Skin of a Lion, Michael Ondaatje, Historical Fiction / Literary Fiction

  • James, Percival Everett, Historical Fiction / Literary Fiction

  • Keeper N' Me, Richard Wagamese, Indigenous Fiction / Coming-of-Age

  • Life Ceremony, Sayaka Murata, Literary Fiction / Short Stories

  • Lives of the Saints, Nino Ricci, Literary Fiction / Historical Fiction

  • Long Way Down, Jason Reynolds, YA / Contemporary / Verse Novel

  • Man of La Mancha, Dale Wasserman, Musical Theatre / Drama

  • Nightingale, Kristin Hannah, Historical Fiction / World War II

  • One Flew Over the Cuckoo's Nest, Ken Kesey, Classic / Psychological Fiction

  • Sankofa, Chantal Bilodeau, Drama / Historical Fiction

  • Sing, Unburied, Sing, Jesmyn Ward, Literary Fiction / Historical Fiction

  • Six Lost Years, Jennifer LoveGrove, YA / Contemporary Fiction

  • Small Ceremonies, Carol Shields, Literary Fiction / Contemporary Fiction

  • The Adventures of Huckleberry Finn, Mark Twain, Classic / Adventure

  • The Agony of Bun O'Keefe, Heather Smith, YA / Contemporary Fiction

  • The Anthropocene Reviewed, John Green, Essays / Non-Fiction

  • The Cellist of Sarajevo, Steven Galloway, Historical Fiction / Literary Fiction

  • The Color Purple, Alice Walker, Literary Fiction / Historical Fiction

  • The Darkness Outside Us, Eliot Schrefer, YA / Science Fiction / Thriller

  • The Great Gatsby, F. Scott Fitzgerald, Classic / Literary Fiction

  • The Handmaid's Tale, Margaret Atwood, Classic / Dystopian Fiction

  • The Kite Runner, Khaled Hosseini, Historical Fiction / Literary Fiction

  • The Paper Menagerie and Other Stories, Ken Liu, Science Fiction / Fantasy / Short Stories

  • The Sisters Brothers, Patrick deWitt, Historical Fiction / Western / Dark Comedy

  • The Wars, Timothy Findley, Historical Fiction / Literary Fiction

  • The Woo Woo, Lindsay Wong, Memoir / Humour

  • The Youth of God, James, Literary Fiction / Dystopian Fiction

  • Their Eyes Were Watching God, Zora Neale Hurston, Classic / Literary Fiction

  • There There, Tommy Orange, Literary Fiction / Indigenous Fiction

  • Vanished Boyhood, [author/edition needed], Memoir / Coming-of-Age

  • Washington Black, Esi Edugyan, Historical Fiction / Adventure

  • Twelve Angry Men, Reginald Rose, Drama / Legal Drama

  • The Truth About Stories, Thomas King, Indigenous Literature / Essays

     

 

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